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Suede Albums (1993 - 2018) [FLAC] [DarkAngie]

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Suede Albums (1993 - 2018)




Biography:
Suede kick-started the Brit-pop revolution of
the '90s, taking English indie pop/rock music away from the swirling layers of shoegaze and dance-pop fusions of
Madchester, and reinstating such conventions of British pop as mystique and the three-minute single. Before the band had
even released a single, the U.K. weekly music press was proclaiming them the "Best New Band in Britain," but Suede
managed to survive their heavy hype due to the songwriting team of vocalist Brett Anderson and guitarist Bernard Butler.
Equally inspired by the glam crunch of David Bowie and the romantic bedsit pop of the Smiths, Anderson and Butler
developed a sweeping, guitar-heavy sound that was darkly sensual, sexually ambiguous, melodic, and unabashedly
ambitious. At the time of the release of their first single, "The Drowners," in 1992, few of their contemporaries --
whether it was British shoegazers or American grunge rockers -- had any ambitions to be old-fashioned, self-consciously
controversial pop stars, and the British press and public fell hard for Suede, making their 1993 debut the
fastest-selling first album in U.K. history. Though they had rocketed to the top in the U.K., Suede were plagued with
problems, the least of which was an inability to get themselves heard in America. Anderson and Butler's relationship
became antagonistic during the recording of their second album, Dog Man Star, and the guitarist left the band before its
fall release, which inevitably hurt its sales. Instead of breaking up, the band soldiered on, adding new guitarist
Richard Oakes and a keyboardist before returning in 1996 with Coming Up, an album that took them to the top of the
British charts. Through all of Suede's incarnations, vocalist/lyricist Brett Anderson and bassist Mat Osman remained at
the band's core. The son of a cabdriver, Anderson formed the Smiths-inspired Geoff in 1985 with his schoolmate Osman and
drummer Danny Wilder. Anderson was the group's guitarist; Gareth Perry was the band's vocalist. Geoff recorded two demos
before splitting up in 1986, as Anderson and Osman left to attend university in London. A few years later, the pair
formed Suave & Elegant, which lasted only a few months. By the end of 1989, the pair had placed an advertisement in New
Musical Express, asking for a "non-muso" guitarist. Bernard Butler responded, and the trio began recording songs,
primarily written by Anderson and Butler, with the support of a drum machine. Taking the name Suede after Morrissey's
"Suedehead" single, the trio sent a demo tape, Specially Suede, to compete in Demo Clash, a radio show on GLR run by DJ
Gary Crowley. "Wonderful Sometimes" won Demo Clash for five Sundays in a row in 1990, leading to a record contract with
the Brighton-based indie label RML. By the time the band signed with RML, Anderson's girlfriend, Justine Frischmann, had
joined as a second guitarist. Suede placed an advertisement for a drummer, and former Smiths member Mike Joyce
responded. Joyce appeared on the group's debut single for RML, "Be My God"/"Art." Scheduled to be released on a 12" in
the fall of 1990, the single was scrapped shortly before its release due to a fight between the band and the label.
Throughout 1991, the group rehearsed and recorded demos, eventually adding drummer Simon Gilbert. Frischmann left Suede
in early 1992 to form Elastica; she was not replaced. A few months later, Suede signed a two-single deal with the indie
label Nude Records. Shortly afterward, the band appeared on the cover of Melody Maker, without having released any
material. The weekly newspaper declared them the Best New Band in Britain. "The Drowners," the band's first single,
appeared shortly after the Melody Maker cover, and it became a moderate hit, debuting at number 49 to strong reviews and
word of mouth. "Metal Mickey," released in the fall, became their breakthrough hit, reaching number 17 on the U.K.
charts after a suggestive, controversial performance on Top of the Pops. Anderson soon became notorious for causing
controversy, and his infamous comment that he was "a bisexual man who never had a homosexual experience" was indicative
of how the group both courted controversy and a sexually ambiguous, alienated audience. A short tour before the spring
release of their eponymous debut album was very successful, setting the stage for "Animal Nitrate" debuting at number
seven. Shortly afterward, Suede entered the charts at number one, registering the biggest initial sales of a debut since
Frankie Goes to Hollywood's Welcome to the Pleasuredome. By the summer, Suede had become the most popular band in
Britain -- winning the prestigious Mercury Music Prize for Best Album that fall -- and they attempted to make headway
into the United States. Their progress was halted when Butler's father died that fall, forcing the cancellation of their
second tour; they had already begun to be upstaged by their opening act, the Cranberries, who received the support from
MTV that Suede lacked. Shortly afterward, the band was forced to change its name to the London Suede in America, due to
a lawsuit from an obscure lounge singer performing under the name Suede. Tensions had begun to develop between Bernard
Butler and the rest of the band during the group's 1993 tours, and they peaked when they reentered the studio to record
a new single in late 1993. Butler conceived the song "Stay Together" as a sweeping epic partially in tribute to his
father, and while it was a success upon its February 1994 release, debuting at number three, the recording was not easy.
As they were working on Suede's second album, Anderson and Butler began to fight frequently, with the guitarist claiming
in a rare interview that the singer worked too slowly and that his partner was too concerned with rock stardom, often at
the expense of the music. Butler left the band toward the end of the sessions for the second album, and the group
finished the record with Anderson playing guitar. Bernard's departure launched a flurry of speculation about Suede's
future, and Dog Man Star didn't answer any of those questions. The grandiose, ambitious, and heavily orchestrated Dog
Man Star was greeted with enthusiastic reviews but muted commercial response. As Suede were working on their second
album, their remarkable commercial success was eclipsed by that of Blur and Oasis, whose lighter, more accessible music
brought both groups blockbuster success in the wake of Suede. While Dog Man Star sold nearly as well as Suede, the
impression in the press was that the group was rapidly falling apart, and the band didn't help matters when Butler was
replaced by Richard Oakes, a 17-year-old amateur guitarist, in September. Suede embarked on a long, grueling
international tour in late 1994 and the spring of 1995, before disappearing to work on their third album. In the
interim, Butler had a Top Ten single with vocalist David McAlmont, and Gilbert, the only gay member of Suede, was
attacked in a hate crime in the fall. At a fan club gig in January of 1996, Suede debuted several new songs, as well as
their new keyboardist, Neil Codling, Gilbert's cousin. The group returned as a five-piece in September of 1996 with
Coming Up. A lighter, more band-oriented affair than either of Suede's two previous albums, Coming Up was an unexpected
hit, entering the charts at number one and generating a remarkable string of five Top Ten hits -- "Trash," "Beautiful
Ones," "Saturday Night," "Lazy," and "Filmstar." Coming Up was a hit throughout Europe, Canada, and Asia, but it wasn't
released in the U.S. until the spring of 1997. Coming Up never did win an audience in America, partially because it
appeared nearly a year after its initial release and partially because Suede only supported it with a three-city tour.
Nevertheless, the record was their most successful release to date, setting expectations high for the follow-up. Upon
their return to the studio in the fall of 1998, Suede decided to ditch their longtime producer, Ed Buller, choosing to
work with Steve Osborne, who had previously produced New Order and Happy Mondays. The resulting album, Head Music, was
released in May of 1999; an American release followed in June. Featuring heavy use of analog synthesizers and drum
machines, Head Music divided opinion among hardcore Suede fans, who preferred the band's more guitar-centric approach.
However, the production changes were largely aesthetic, and the band still delivered plenty of anthemic glitter rock
glitz with songs like "Electricity," "Can't Get Enough," and "She's in Fashion." Around 2001, Suede found themselves at
a career crossroads. Keyboardist Codling, who had contributed greatly to the writing on Head Music, left the band and
was replaced by Strangelove's Alex Lee. Adding to the sense of change, the band's label, Nude Records, went bankrupt and
Suede were left at the mercy of their parent label, Sony. Also around this time, Anderson, having struggled with drug
addiction (he later admitted to being a crack addict), finally decided to get clean. Despite these upheavals, by 2003
Suede had finished their fifth studio album, the Stephen Street-produced A New Morning. Unfortunately, public interest
in Suede, not to mention the Brit-pop sound, had faded by the early 2000s and the album sold poorly. Several concerts
followed in support of the band's 2003 compilation, Singles, but by October, Suede had announced they would not be
releasing any new music in the foreseeable future. They played their final concert at the London Astoria on December 13,
2003, before going on indefinite hiatus. Following the break, Anderson did the previously unthinkable and reunited with
original Suede guitarist Bernard Butler under the name the Tears. The duo released a well-received 2005 album, Here Come
the Tears. Also during the hiatus, Anderson recorded four low-key solo albums with 2007's Brett Anderson, 2008's
Wilderness, 2009's Slow Attack, and 2011's Black Rainbows. Finally, in 2010, with Codling back on board, Suede reunited
for several live shows beginning with a performance at the Teenage Cancer Trust show at Royal Albert Hall on March 24.
This led to more shows, including a tour promoting the compilation album The Best of Suede. By 2011, the band had begun
performing new songs live, and in 2012, Suede announced they were in the studio working on a new album with producer Ed
Buller, who had produced the band's first three albums. In 2013, Suede released their sixth studio album and first album
of all-original material since 2003, Blood Sports. Suede debuted several of the Blood Sports tracks online, including
"Barriers" and "It Starts and Ends with You." The release featured a more mature perspective from Anderson, and a sound
that harked back to the grand guitar pop of Suede's early work. After playing anniversary concerts celebrating Dog Man
Star in 2014, Suede returned to the studio to make their seventh studio album. In September 2015, they announced the
impending release of Night Thoughts. A dark, majestic album that recalled Dog Man Star, Night Thoughts saw release in
late January 2016, debuting at six on the U.K. charts. Later that year, the band released a super deluxe 20th
anniversary edition of Coming Up. The band spent 2017 in the studio writing and recording their eighth LP. The record --
titled The Blue Hour -- marked the first effort collaboration with producer Alan Moulder (the Smashing Pumpkins, Nine
Inch Nails) and arrived in September 2018. The Blue Hour debuted at five in the U.K., their best chart position since
Head Music in 1999. In 2018, the band was the subject of a documentary called Suede: The Insatiable Ones, which was
directed by Mike Christie.


   


Album List:
1993 -
Suede
1994 - Dog Man Star
1996 - Coming Up
1997 - Sci-Fi Lullabies [Compilation]
1999 - Head
Music
2002 - A New Morning
2003 - Singles [Compilation]
2010 - The Best of Suede [Compilation]
2013
- Bloodsports
2016 - Night Thoughts
2018 - The Blue Hour


Media Report:
Genre:
alternative rock, art rock
Country: UK
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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